Arca – “Xen”

There are few albums which can fully contain and express a figure of imagination, a picture, or story through each and every piece, each track adding another vital aspect and slant to the desired product. Though all music strives to be some form of human expression, few can accurately present a piece that accurately evokes emotion to similar to that of the human soul, even fewer the feelings and events that a person lives through.  With Arca’s first album “Xen” a persona is expressed so brilliantly you begin to feel as if you are listening to the motions and emotions of someone in your presense, rather than simply music itself. You might even catch yourself thinking you even understand this person, but quickly another level of confusion, another variant in life affects both the person and with it your perception of them. The inner demons and complexities of personalities add to many variances and changing atmospheres throughout the album. This soul is experienced and a cautious one too. “Xen” isn’t pretty, but for some reason attractive, with every tone drawing you closer and further along.

The ferocious and volatile beats which are commonfound in “Xen” command you to pay attention, and you will. You will listen to every “word” storied to you and every sentiment which underlines every story expressed. It’s easy to find yourself doing so multiple times, as I am writing this review very early in the morning after repeated attempts to understand “Xen” as I attempt to try and explain this phenomenally creative and wonderful release. The vicious synths, snapping drums, and wistful bass continuously hurtled at you will hit you repeatedly, as if to hammer in a notion that you simply will never comprehend, but have to at least try. Some will stick, others will bounce back as you watch them trail away. You won’t ever know what’s coming next, or when.  It’s this uncompromising and unpredictable nature of this album, that makes it’s so great, so genuine.

The few moments of calm in “Xen” are cold, for example in “Sad Bitch” and “Wound.” Sure they are warming sounds of strings, and basslines that will throb your heart, but it’s the feeling expressed which has yourself in a deep and dark confine which chill you to your bone.

Arca describes Xen as a genderless alter-ego he describes having spiritual ties to, and according to frequent collaborator Jesse Kanda in this very intimate and utterly fascinating Fader article, Arca, a.k.a Alejandro Ghersi, will often become Xen, a spiritual being embodying a more feminine side of Ghersi who rejuvenates herself through creativity and exploration.

Despite Kanda’s interpretation, Ghersi himself explains to the Guardian,

“Xen is a genderless being. It’s about resisting labels and integrating different sides of ourselves. The complicating of one and the other is very fertile, emotionally and creatively. I’ve been thinking a lot about Native American tribes who saw homosexuals within their tribe as those who could see things in two different ways. [Their sexuality] could have a practical use, spiritually.”

It’s a relatively messy album, with spontaneous and sporadic movements being the underlying attitude of the entire work, but it also works very well and in a shocking, but harrowingly beautiful way. In “Xen” the listener becomes the confidant.

– Nick

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Slow Magic – How to Run Away

With his second full-length album How to Run Away, Slow Magic has overjoyed me with the pleasure of smooth melodies and skipping beats that just flow together to slowly ooze magic into my ears. The more I listen to the tracks on this new album, the more I praise it for being an incredibly well-done piece of art. He employs a lot of vocal samples but manages to tone them down just the right amount by layering them with ambient sounds and unique textures that create a beautiful harmony. He’s definitely one of the more promising DJs that are up-coming in the electronic music scene.

What else is unique about this dude? Well, honestly, I couldn’t tell ya. He shares little to no information about his identity meanwhile hiding behind a mask at all performances and musical appearances on the internet. I don’t have a problem with that, though. I actually think that his multi-colored, glowing fox mask works for him. It adds a colorful visual imagery that always pops up in my head every time his music plays.

Check out my favorite track, Girls.

I love bits and pieces of the piano and percussion sounds throughout the entire piece. Usually, an excessive repetition in a song bores/annoys me but this mysteriously talented dude really works it in with the genius cuts of the vocal samples.

Waited 4 U is a close tie with my first choice. Sometimes this replaces Girls and becomes my favorite, depending on my mood. So smooth, so flowy, so precisely mastered, and yet still pumpin’ dancey.

Which one is your favorite?

-Stacy