About kzuu

KZUU is a non-commercial college radio station in Pullman, WA. We broadcast on 90.7fm in the Palouse. We play good music.

Death Grips – The Money Store

7 ½ / 10

Death Grips’ aesthetic doesn’t exist purely in the realm of audio. The aggressive hip-hop trio originally debuted last year with their music video for “Guillotine (It Goes Yah)”, in which MC Ride sits buckled into the passenger seat of a car, flailing like a psychiatric patient along to the beat of the song while white noise degrades the environment outside the car. It’s the ultimate representation of what makes them so interesting: In the junction between horror, grime, and noise, lies Death Grips creating some of the more challenging hip-hop around today.

While the centerpiece of their new album The Money Store is MC Ride’s often throaty, bellowing flow, drummer Zach Hill (more well known for his solo work and his band Hella) provides a crunchy backbone to the record with a rush of distorted, off-kilter beats. “The Fever (Aye Aye)”, the second track on the album, ends up being an unlikely single, if you could call it that. MC Ride sounds like he’s vomiting shrapnel over a junkyard remix of a Diplo track that only cuts out for a few brief seconds of breath and shouts of “Aye aye! Know what I’m sayin’?” Album closer “Hacker” features a futuristic interpretation of a classic Chicago house beat, over which Ride seems to flawlessly ramble nonchalantly from chorus to chorus.

The Money Store is the first of a pair of albums Grips plan to release this year. Impressive when you consider their acclaimed debut was released less than a year ago, and Zach Hill’s band Hella also released their fifth LP Tripper last year. Death Grips’ hyper-masculine presence isn’t something unique to hip-hop by any means, but hip-hop of the last few years has been characterized by simple, laid-back instrumentation with similarly lucid rhyming. It’s been refreshing, and opened many doors for experimentation, but sometimes you really just need a scrawny bearded dude to yell “We came to blow your system!” at you and then actually follow up on the promise.

- Adam

Laurel Halo – Quarantine

9 / 10

There’s a certain point in the sleep cycle, the small time-frame between being awake and being asleep, where reality is stripped away in a state of “threshold consciousness”. For those with a healthy sleep routine (lucky bastards) this period is often brief, but for someone like myself it can often last hours. This state, called hypnagogia, is when the subject is most susceptible to phenomenon like lucid dreaming, out-of-body experiences, and visual or auditory hallucinations.

Laurel Halo’s debut album for Hyperdub, a UK label traditionally known for releasing grimy dubstep by artists like Burial and Zomby, spends 40 minutes tracing a hypnogogic mesh around the brain while simultaneously side-stepping any expected direction. 2012′s electronic anti-thesis to Grimes’ Visions, Quarantine is minimal at it’s most extroverted moments; a byproduct of Halo’s past ambient work like 2011′s Antenna.

Her new home on Hyperdub isn’t a mistake either. Opener “Airsick” is driven by a thick, low bass beat punctuated by detuned piano sample. Halo’s voice on “Years” is pushed way up in the mix to the point where it begins overtaking any other instrument that attempts to butt into the song. The most ironically unconventional part about Quarantine is the unprocessed vocals; Halo experimented with reverb and effects on her voice before ultimately removing nearly every shred of vocal processing. Only on the Bjork-like “Carcass” does her voice crack and tremble in an almost robotic fashion. Discordant vocals become the counterpoint to Quarantine‘s sub-bass and dub roots.

One of the strange forms of hypnagogia that I suffer from is a rare symptom called Exploding Head Syndrome. In a state of significant sleep deprivation, someone with EHS hears incredibly loud noises that seem to emanate from within the head. Last night, as I fell asleep with my headphones in playing Quarantine, the penultimate track “Nerve” jolted me out of a hypnagogic state with it’s unsettling electronic glitches. As my heart rate rose, Quarantine brought me back to sleep with the wistful ballad “Light + Space”. As a collection of songs, Quarantine succeeds in being ambitious and original. As an intellectual experience, it paints a remarkable picture of the world between reality and sleep.

- Adam

Grynch – Perspective

Image

8 / 10

Grynch is a KZUU favorite and this new drop is nothing less than great. The range of different beats and styles of hip-hop in the album lock you in for a full listen through the album. I had the chance to interview Grynch the day he dropped the album and he remarked that it was his most complete work yet. I would have to agree. He addresses a lot of what we all think about every day but never want to say out loud…or put in a rap.

Check out the interview!

- Brittany

Recommended tracks: “Final Bow (Ft. Thig Nat)”, “Drowning”, “I’m Good (Ft. Sol)”

Labyrinth Ear – Apparitions

Labyrinth Ear - Apparitions

8 / 10

Trust me, this London outfit deserves every bit of exposure they’ve gotten from the release of their second EP. It manages to fuse all the best elements of Swedish electro (think CEO) with witch house, without sounding gimmicky or familiar. Pitchfork calls them “synth-pop”, but I don’t think one genre does them justice–repetitive lyrics and tribal-inspired beats will carry you from “Amber” to “Humble Bones” as if you’re in a drug-induced dream state. If you’re anything like me, you’ll be salivating for a full-length by the time you make it to the end.

-Jillian

Recommended Tracks: “Goya”, “Amethyst Days”

Hip-Hop Ain’t Dead, It’s Just Chillin’ in Kiwi Land.

What’s good everyone?! This is former Hip-Hop Director Bryce, aka DJ Collective writing from New Zealand where I am studying abroad. It has been awesome so far & I have been having a great time. I’m writing to spread the great music of David Dallas to you all. David is a native Kiwi and been making his way up the hip-hop scene in New Zealand in the past few years, most recently with his lately acclaimed Lp, “The Rose Tint”. I had to opportunity of seeing his perform a few days during our orientation week, and it was one dope show. The combo of a real steady flow and solid production, he has paired up and rocked a couple joints with the likes of Freddie Gibbs and Buckshot. Check out the single he put called “Take A Picture” and you can cop the full Lp from itunes below and won’t be disappointed.

The Rose Tint LP itunes

I’ve been rockin’ KZUU as much as I can from abroad, and wish everyone the best. Miss you all.

-bryce.

KZUU Top 30: 2/13/12

First Aid Kit swept in with the top spot this week. They definitely deserved it, if you haven’t heard their cover of Fever Ray’s “When I Grow Up”, it’s your lucky day, I’ll hook you up below.

When I Grow Up – First Aid Kit

Chairlift is still holding strong, and Air peeks into the top five with their latest, Le Voyage Dans La Lune (a triumphant return, after three years without a release). M83 was finally knocked out of the charts after a several-week run (RIP M83), and Cloud Nothings are holding right in there in the top 10! All is as it should be!

-Jillian

01. First Aid Kit – The Lion’s Roar
02. Chairlift – Something
03. Hospitality – Hospitality
04. Horse Thieves – Two Albums
05. Air - Le Voyage Dans La Lune
06. Emperor X – Western Teleport
07. Sea Lions – Everything You Always Wanted To Know About Sea Lions But Were Afraid To Ask
08. Beets – Let The Poison Out
09. Cloud Nothings – Attack On Memory
10. Dr. Dog – Be The Void
11. Los Campesinos! – Hello Sadness
12. Quilt – Quilt
13. Asteroids Galaxy Tour – Out Of Frequency
14. Emika – Emika
15. Future Islands – On The Water
16. Porcelain Raft – Strange Weekend
17. Radical Face – Family Tree
18. Sigur Ros – Inni
19. Tycho – Dive
20. Atlas Sound – Parallax
21. Big Deal – Lights Out
22. Brief Candles – Fractured Days
23. Brite Futures – Dark Past
24. The Field - Looping State Of Mind
25. Imperial Teen – Feel The Sound
26. Psychic Ills – Hazed Dream
27. Right the Stars – Hello Yes
28. Royal Baths – Better Luck Next Life
29. Tom Waits – Bad As Me
30. Trailer Trash Tracys –  Ester Domino

The Twilight Sad – No One Can Ever Know

7 / 10


The new album by this Scottish noise group surprisingly lacks a lot of noise. These guys dropped the distortion pedals (at least for some songs) in favor of a dark, coldwave inspired sound. Many bands who play similar music attempt to add dark synths and end up making awful music, but The Twilight Sad pull it off 100%. This is solid stuff, think New Order meets Nine Inch Nails.

- Adam

Recommended tracks: “Dead City”, “Sick”, “Don’t Look at Me”

Tennis – Young and Old

6 ½ / 10

Pop duo Tennis released their first album Cape Dory last year and now they’re already back with another new album. Young & Old drops the lo-fi home-recorded sound of their debut in favor of a glossy studio sound thanks to production by Patrick Carney of the Black Keys. While the songwriting lacks compared to their sing-songy debut, the cleaned up sound results in a better sounding, and more enjoyable listen. Good for the (hopefully) upcoming sunny spring days.

- Adam

Recommended tracks: “Origins”, “Petition”, “Take Me To Heaven”

Islands – A Sleep and A Forgetting

4 ½ / 10

Islands are one of those bands I like to shit talk because I think they’re boring. And while I’m not ready to apologize just yet, this new LP isn’t half bad. Nick plays around with some eclectic songwriting and it comes out sounding sort of like Bright Eyes meets of Montreal, if that makes any sense. It doesn’t really work musically, but it’s an interesting sound. It gets weird when he starts playing Jimmy BUffet songs (I’m, sadly, only half joking).

- Adam

Recommended tracks: “In A Dream (It Seemed Real)”, “Hallways”, “Oh Maria”